CinematicCinematic

Cinematic Frequency Spectrum vs. Pink Noise

Five Cinematic records measured against pink noise, every track gain-matched to -14 LUFS:

  • Ludwig Göransson “Can You Hear The Music”
  • Hans Zimmer “A Time of Quiet Between the Storms”
  • Daniel Pemberton “Spider-Woman (Gwen Stacy)”
  • Michael Giacchino “The Batman (from "The Batman")”
  • Bear McCreary “God of War Ragnarök (From "God of War Ragnarök" Soundtrack) (feat. Eivør)”

Cinematic scores sit near pink through the low end and midrange (bass +5 dB, low mids +3, midrange on it) and then fall away faster than any other set: presence 7 dB and air 12 dB under pink, with the five cues spread widely. The stereo image is almost fully wide from the bass up.

Cinematic average frequency spectrum compared to pink noise, five reference tracks overlaid
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Cinematic frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Cinematic instrument frequency ranges and levels

Where the individual parts of a Cinematic mix sit — sub, kick, snare, the supporting and prominent mid layers, air and splash — as REFFREY's PARTS mode outlines them from the references.

Cinematic PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Cinematic Parts Breakdown
PartPeak positionPeak level
Foundations
SUB——
KICK——
SNARE——
Mids
SUPPORT293 Hz – 6 kHz−49 to −44 dB
PROMINENCE363 Hz – 6 kHz−33 to −25 dB
Highs
AIR6–22 kHz−71 to −63 dB
SPLASH6–22 kHz−57 to −51 dB

Levels are peak spectrum levels with every track gain-matched to -14 LUFS, so they compare across tracks and across genres.

Cinematic parts vs. other genres

Where Cinematic’s sub, kick, snare and mid layers sit next to five other genres.

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Cinematic Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Cinematic average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Cinematic tracks behind this RefMap and the section of each that was analyzed. This is the Cinematic set that ships inside REFFREY.

  1. Ludwig GöranssonCan You Hear The Music
    Ludwig Göransson — Can You Hear The Music: waveform with the analyzed section 1:23–1:41 marked
  2. Hans ZimmerA Time of Quiet Between the Storms
    Hans Zimmer — A Time of Quiet Between the Storms: waveform with the analyzed section 3:24–3:44 marked
  3. Daniel PembertonSpider-Woman (Gwen Stacy)
    Daniel Pemberton — Spider-Woman (Gwen Stacy): waveform with the analyzed section 1:57–2:07 marked
  4. Michael GiacchinoThe Batman (from "The Batman")
    Michael Giacchino — The Batman (from "The Batman"): waveform with the analyzed section 6:07–6:23 marked
  5. Bear McCrearyGod of War Ragnarök (From "God of War Ragnarök" Soundtrack) (feat. Eivør)
    Bear McCreary — God of War Ragnarök (From "God of War Ragnarök" Soundtrack) (feat. Eivør): waveform with the analyzed section 3:42–4:13 marked

Captured September 2026 from the REFFREY default set “Cinematic”. Analysis only — no audio is included.

Compare your tracks to your favorite artists with REFFREY

This Cinematic set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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