Electronic & DanceTech House

Tech House Frequency Spectrum vs. Pink Noise

Five Tech House records measured against pink noise, every track gain-matched to -14 LUFS:

  • John Summit “EAT THE BASS”
  • Dom Dolla “girl$”
  • Mau P “Like I Like It”
  • Chris Lake “Toxic”
  • James Hype “7 Seconds (feat. Shamiya Battles) (Extended Mix)”

Tech house is a low-end record: sub and bass sit 7–8 dB above pink noise and the sub is almost perfectly mono. The mids are the quiet part of the mix (500 Hz to 4 kHz runs about 3 dB under pink) before the presence and air come back up to meet it. Five tracks, one shape: the spread between them is small everywhere except the deepest sub.

Tech House average frequency spectrum compared to pink noise, five reference tracks overlaid
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Tech House frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Tech House Mixing Guide: instrument frequency ranges and levels

The kick is parked at 41–76 Hz in every track and the sub sits just beneath it at 41–64 Hz. Only one of the five has a snare outlined, at 146–158 Hz; the rest carry their percussion in the prominent mid layer.

Tech House PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Tech House Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−8 to 0 dB41–64 Hz
KICK0 dB41–76 Hz
SNARE−7 dB146–158 Hz
Mids
SUPPORT−29 to −26 dB293 Hz – 6 kHz
PROMINENCE−15 to −4 dB340 Hz – 3.1 kHz
Highs
AIR−46 to −40 dB6–22 kHz
SPLASH−31 to −26 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Tech House parts vs. other genres

Where Tech House’s sub, kick, snare and mid layers sit next to five other genres.

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Tech House Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Tech House average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Tech House tracks behind this RefMap and the section of each that was analyzed. This is the Tech House set that ships inside REFFREY.

  1. John SummitEAT THE BASS
    John Summit — EAT THE BASS: waveform with the analyzed section 2:38–3:15 marked
  2. Dom Dollagirl$
    Dom Dolla — girl$: waveform with the analyzed section 2:28–3:06 marked
  3. Mau PLike I Like It
    Mau P — Like I Like It: waveform with the analyzed section 4:43–5:24 marked
  4. Chris LakeToxic
    Chris Lake — Toxic: waveform with the analyzed section 0:45–1:12 marked
  5. James Hype7 Seconds (feat. Shamiya Battles) (Extended Mix)
    James Hype — 7 Seconds (feat. Shamiya Battles) (Extended Mix): waveform with the analyzed section 4:20–4:52 marked

Captured October 2026 from the REFFREY default set “Tech House”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Tech House set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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