Electronic & DanceTrance

Trance Frequency Spectrum vs. Pink Noise

Five Trance records measured against pink noise, every track gain-matched to -14 LUFS:

  • Above & Beyond “Sun & Moon”
  • Billy Gillies “DNA (Loving You) [feat. Hannah Boleyn]”
  • Armin van Buuren “Destination (A State of Trance 2024 Anthem) [ASOT 1127]”
  • Above & Beyond “Crazy Love”
  • Ben Hemsley “Tidal”

Trance keeps a strong, mono low end (sub 5 dB and bass 6 dB above pink) and then stays unusually close to pink through the rest of the spectrum. The mids and high mids sit within a decibel of it and the air only dips 3 dB, so the overall tilt is gentle. The bass is the narrowest band; the splash layer above 6 kHz varies the most between tracks.

Trance average frequency spectrum compared to pink noise, five reference tracks overlaid
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Trance frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Trance Mixing Guide: instrument frequency ranges and levels

The kick sits at 53–88 Hz and the sub at 41–88 Hz, overlapping more than in most dance sets. No snare is outlined; the offbeat percussion is carried by the mid layers.

Trance PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Trance Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−9 to −2 dB41–88 Hz
KICK0 dB53–88 Hz
SNARE——
Mids
SUPPORT−29 to −26 dB293 Hz – 6 kHz
PROMINENCE−12 to −3 dB387 Hz – 5.3 kHz
Highs
AIR−47 to −39 dB6–22 kHz
SPLASH−34 to −21 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Trance parts vs. other genres

Where Trance’s sub, kick, snare and mid layers sit next to five other genres.

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Trance Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Trance average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Trance tracks behind this RefMap and the section of each that was analyzed. This is the Trance set that ships inside REFFREY.

  1. Above & BeyondSun & Moon
    Above & Beyond — Sun & Moon: waveform with the analyzed section 3:54–4:48 marked
  2. Billy GilliesDNA (Loving You) [feat. Hannah Boleyn]
    Billy Gillies — DNA (Loving You) [feat. Hannah Boleyn]: waveform with the analyzed section 2:02–2:14 marked
  3. Armin van BuurenDestination (A State of Trance 2024 Anthem) [ASOT 1127]
    Armin van Buuren — Destination (A State of Trance 2024 Anthem) [ASOT 1127]: waveform with the analyzed section 2:27–2:53 marked
  4. Above & BeyondCrazy Love
    Above & Beyond — Crazy Love: waveform with the analyzed section 2:13–3:06 marked
  5. Ben HemsleyTidal
    Ben Hemsley — Tidal: waveform with the analyzed section 2:58–3:24 marked

Captured September 2026 from the REFFREY default set “Trance”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Trance set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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Tested in: Ableton • Reaper • Logic Pro • FL Studio

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