Electronic & DanceTrance

Trance Frequency Spectrum vs. Pink Noise

Five Trance records measured against pink noise, every track gain-matched to -14 LUFS:

  • Above & Beyond “Sun & Moon”
  • Billy Gillies “DNA (Loving You) [feat. Hannah Boleyn]”
  • Armin van Buuren “Destination (A State of Trance 2024 Anthem) [ASOT 1127]”
  • Above & Beyond “Crazy Love”
  • Ben Hemsley “Tidal”

Trance keeps a strong, mono low end (sub 5 dB and bass 6 dB above pink, with the kick at 53–88 Hz) and then stays unusually close to pink through the rest of the spectrum. The mids and high mids sit within a decibel of it and the air only dips 3 dB, so the overall tilt is gentle. The bass is the narrowest band; the splash layer above 6 kHz varies the most between tracks.

Trance average frequency spectrum compared to pink noise, five reference tracks overlaid
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Trance frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Trance instrument frequency ranges and levels

Where the individual parts of a Trance mix sit — sub, kick, snare, the supporting and prominent mid layers, air and splash — as REFFREY's PARTS mode outlines them from the references.

Trance PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Trance Parts Breakdown
PartPeak positionPeak level
Foundations
SUB41–88 Hz−29 to −23 dB
KICK53–88 Hz−22 to −19 dB
SNARE——
Mids
SUPPORT293 Hz – 6 kHz−51 to −45 dB
PROMINENCE387 Hz – 5.3 kHz−31 to −23 dB
Highs
AIR6–22 kHz−66 to −60 dB
SPLASH6–22 kHz−53 to −40 dB

Levels are peak spectrum levels with every track gain-matched to -14 LUFS, so they compare across tracks and across genres.

Trance parts vs. other genres

Where Trance’s sub, kick, snare and mid layers sit next to five other genres.

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Trance Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Trance average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Trance tracks behind this RefMap and the section of each that was analyzed. This is the Trance set that ships inside REFFREY.

  1. Above & BeyondSun & Moon
    Above & Beyond — Sun & Moon: waveform with the analyzed section 3:54–4:48 marked
  2. Billy GilliesDNA (Loving You) [feat. Hannah Boleyn]
    Billy Gillies — DNA (Loving You) [feat. Hannah Boleyn]: waveform with the analyzed section 2:02–2:14 marked
  3. Armin van BuurenDestination (A State of Trance 2024 Anthem) [ASOT 1127]
    Armin van Buuren — Destination (A State of Trance 2024 Anthem) [ASOT 1127]: waveform with the analyzed section 2:27–2:53 marked
  4. Above & BeyondCrazy Love
    Above & Beyond — Crazy Love: waveform with the analyzed section 2:13–3:06 marked
  5. Ben HemsleyTidal
    Ben Hemsley — Tidal: waveform with the analyzed section 2:58–3:24 marked

Captured September 2026 from the REFFREY default set “Trance”. Analysis only — no audio is included.

Compare your tracks to your favorite artists with REFFREY

This Trance set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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Tested in: Ableton • Reaper • Logic Pro • FL Studio

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