LatinLatin Pop

Latin Pop Frequency Spectrum vs. Pink Noise

Five Latin Pop records measured against pink noise, every track gain-matched to -14 LUFS:

  • Bizarrap “Bzrp Music Sessions, Vol. 53”
  • Maluma “Agua de Jamaica”
  • KAROL G “BbY WOW”
  • Rauw Alejandro “Besito en la Frente”
  • KAROL G “Coleccionando Heridas”

Latin pop keeps a firm low end (sub 4 dB and bass 6 dB above pink, low mids +5) and a midrange that sits 3 dB over. Above 2 kHz it falls away: high mids −3, presence −5, air −7 dB.

Latin Pop average frequency spectrum compared to pink noise, five reference tracks overlaid
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Latin Pop frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Latin Pop Mixing Guide: instrument frequency ranges and levels

The kick peaks consistently at 53–76 Hz and is within 1 dB of the loudest part in all five tracks, with the sub at 41–76 Hz. The snare is outlined in two tracks at 135–170 Hz.

Latin Pop PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Latin Pop Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−8 to 0 dB41–76 Hz
KICK−1 to 0 dB53–76 Hz
SNARE−5 to −3 dB135–170 Hz
Mids
SUPPORT−30 to −21 dB293 Hz – 6 kHz
PROMINENCE−7 to 0 dB352 Hz – 5 kHz
Highs
AIR−51 to −42 dB6–22 kHz
SPLASH−35 to −26 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Latin Pop parts vs. other genres

Where Latin Pop’s sub, kick, snare and mid layers sit next to five other genres.

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Latin Pop Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Latin Pop average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Latin Pop tracks behind this RefMap and the section of each that was analyzed. This is the Latin Pop set that ships inside REFFREY.

  1. BizarrapBzrp Music Sessions, Vol. 53
    Bizarrap — Bzrp Music Sessions, Vol. 53: waveform with the analyzed section 2:58–3:25 marked
  2. MalumaAgua de Jamaica
    Maluma — Agua de Jamaica: waveform with the analyzed section 2:02–2:21 marked
  3. KAROL GBbY WOW
    KAROL G — BbY WOW: waveform with the analyzed section 2:55–3:25 marked
  4. Rauw AlejandroBesito en la Frente
    Rauw Alejandro — Besito en la Frente: waveform with the analyzed section 2:07–2:20 marked
  5. KAROL GColeccionando Heridas
    KAROL G — Coleccionando Heridas: waveform with the analyzed section 2:32–3:01 marked

Captured September 2026 from the REFFREY default set “Latin Pop”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Latin Pop set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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