Hip-Hop & R&BTrap — Hip-Hop

Trap — Hip-Hop Frequency Spectrum vs. Pink Noise

Five Trap — Hip-Hop records measured against pink noise, every track gain-matched to -14 LUFS:

  • Future “Mask Off”
  • Roddy Ricch “The Box”
  • 21 Savage “redrum”
  • Travis Scott “4X4”
  • Megan Thee Stallion “HISS”

Hip-hop trap has the most sub of any set on the site, almost 13 dB above pink and completely mono. Above that the mix is comparatively lean: bass +5, low mids +3, midrange +2, and the air 7 dB under pink.

Trap — Hip-Hop average frequency spectrum compared to pink noise, five reference tracks overlaid
save

Trap — Hip-Hop frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

See all genres →

Trap — Hip-Hop Mixing Guide: instrument frequency ranges and levels

Sub and kick share the 29–64 Hz region. The snare, outlined in three of the five, sits high at 275–451 Hz.

Trap — Hip-Hop PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
save
REFFREY // Trap — Hip-Hop Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−2 to 0 dB29–64 Hz
KICK−1 to 0 dB29–64 Hz
SNARE−22 to −6 dB275–451 Hz
Mids
SUPPORT−34 to −27 dB293 Hz – 6 kHz
PROMINENCE−11 to −6 dB539 Hz – 6 kHz
Highs
AIR−50 to −43 dB6–22 kHz
SPLASH−34 to −28 dB6–22 kHz
save

How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Trap — Hip-Hop parts vs. other genres

Where Trap — Hip-Hop’s sub, kick, snare and mid layers sit next to five other genres.

See all genres →

Trap — Hip-Hop Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Trap — Hip-Hop average, peak and stereo width spectra for 5 reference tracks
save

Reference tracks and sections analyzed

The 5 Trap — Hip-Hop tracks behind this RefMap and the section of each that was analyzed. This is the Trap — Hip-Hop set that ships inside REFFREY.

  1. FutureMask Off
    Future — Mask Off: waveform with the analyzed section 2:35–3:11 marked
  2. Roddy RicchThe Box
    Roddy Ricch — The Box: waveform with the analyzed section 2:36–2:58 marked
  3. 21 Savageredrum
    21 Savage — redrum: waveform with the analyzed section 2:56–3:46 marked
  4. Travis Scott4X4
    Travis Scott — 4X4: waveform with the analyzed section 2:14–2:38 marked
  5. Megan Thee StallionHISS
    Megan Thee Stallion — HISS: waveform with the analyzed section 2:47–3:07 marked

Captured September 2026 from the REFFREY default set “Trap — Hip-Hop”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Trap — Hip-Hop set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

$199
$29 launch sale!
14-day zero hassle refunds
Tested in: Ableton • Reaper • Logic Pro • FL Studio

Browse every genre RefMap →