Electronic & DanceTrap — Electronic

Trap — Electronic Frequency Spectrum vs. Pink Noise

Five Trap — Electronic records measured against pink noise, every track gain-matched to -14 LUFS:

  • VIP - Knock2 “dashstar_”
  • ISOxo “SMACK TALK”
  • Skrillex “Purple Lamborghini (with Rick Ross)”
  • RL Grime “Core”
  • ISOxo “dontstopme!”

Electronic trap is sub-first: 20–60 Hz sits 8 dB above pink while the bass region above it is only slightly up and the low mids sit on pink. From the midrange to the presence region the level runs 1–1.5 dB over, and the air is close to flat: a clean, extended top end.

Trap — Electronic average frequency spectrum compared to pink noise, five reference tracks overlaid
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Trap — Electronic frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Trap — Electronic Mixing Guide: instrument frequency ranges and levels

Sub and kick sit together at 29–76 Hz and 29–64 Hz. The snare is unusually high for a drum outline, peaking between 439 and 592 Hz in every track.

Trap — Electronic PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Trap — Electronic Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−3 to 0 dB29–88 Hz
KICK0 dB29–64 Hz
SNARE−20 to −9 dB439–592 Hz
Mids
SUPPORT−32 to −28 dB293 Hz – 6 kHz
PROMINENCE−11 to −5 dB375 Hz – 5.6 kHz
Highs
AIR−43 to −37 dB6–22 kHz
SPLASH−27 to −25 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Trap — Electronic parts vs. other genres

Where Trap — Electronic’s sub, kick, snare and mid layers sit next to five other genres.

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Trap — Electronic Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Trap — Electronic average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Trap — Electronic tracks behind this RefMap and the section of each that was analyzed. This is the Trap — Electronic set that ships inside REFFREY.

  1. VIP - Knock2dashstar_
    VIP - Knock2 — dashstar_: waveform with the analyzed section 1:02–1:32 marked
  2. ISOxoSMACK TALK
    ISOxo — SMACK TALK: waveform with the analyzed section 1:27–1:52 marked
  3. SkrillexPurple Lamborghini (with Rick Ross)
    Skrillex — Purple Lamborghini (with Rick Ross): waveform with the analyzed section 0:51–1:17 marked
  4. RL GrimeCore
    RL Grime — Core: waveform with the analyzed section 2:33–3:22 marked
  5. ISOxodontstopme!
    ISOxo — dontstopme!: waveform with the analyzed section 0:56–1:17 marked

Captured September 2026 from the REFFREY default set “Trap — Electronic”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Trap — Electronic set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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Tested in: Ableton • Reaper • Logic Pro • FL Studio

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