Electronic & DanceTechno

Techno Frequency Spectrum vs. Pink Noise

Five Techno records measured against pink noise, every track gain-matched to -14 LUFS:

  • Adam Beyer “Do It For The Bass”
  • Charlotte De Witte “One Mind”
  • Layton Giordani “Deadly Valentine”
  • Space 92 “Orbit Motion”
  • Eli Brown “Drip (feat. Eliza Legzdina)”

Techno is the most bottom-heavy set in the dance genres after tech house: sub and bass both sit about 7 dB above pink. The mids are restrained, running 1–2 dB under pink from 500 Hz through the high mids, and the highs settle around 3 dB below. Track-to-track spread is tight, which is what you would expect from a genre built on the same kick-and-rumble foundation.

Techno average frequency spectrum compared to pink noise, five reference tracks overlaid
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Techno frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Techno Mixing Guide: instrument frequency ranges and levels

The kick reaches up to 88 Hz (41–88 Hz across the tracks) with the sub at 41–64 Hz beneath it. Two of the five have a snare outlined, in a tight 193–217 Hz band.

Techno PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Techno Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−5 to −1 dB41–64 Hz
KICK0 dB41–88 Hz
SNARE−10 to −7 dB193–217 Hz
Mids
SUPPORT−32 to −27 dB293 Hz – 6 kHz
PROMINENCE−10 to −6 dB445 Hz – 5.8 kHz
Highs
AIR−45 to −41 dB6–22 kHz
SPLASH−33 to −28 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Techno parts vs. other genres

Where Techno’s sub, kick, snare and mid layers sit next to five other genres.

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Techno Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Techno average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Techno tracks behind this RefMap and the section of each that was analyzed. This is the Techno set that ships inside REFFREY.

  1. Adam BeyerDo It For The Bass
    Adam Beyer — Do It For The Bass: waveform with the analyzed section 3:42–4:08 marked
  2. Charlotte De WitteOne Mind
    Charlotte De Witte — One Mind: waveform with the analyzed section 3:55–4:53 marked
  3. Layton GiordaniDeadly Valentine
    Layton Giordani — Deadly Valentine: waveform with the analyzed section 3:44–4:39 marked
  4. Space 92Orbit Motion
    Space 92 — Orbit Motion: waveform with the analyzed section 2:51–3:27 marked
  5. Eli BrownDrip (feat. Eliza Legzdina)
    Eli Brown — Drip (feat. Eliza Legzdina): waveform with the analyzed section 2:40–3:05 marked

Captured September 2026 from the REFFREY default set “Techno”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Techno set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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Tested in: Ableton • Reaper • Logic Pro • FL Studio

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