Hip-Hop & R&BHip-Hop

Hip-Hop Frequency Spectrum vs. Pink Noise

Five Hip-Hop records measured against pink noise, every track gain-matched to -14 LUFS:

  • Kendrick Lamar “Not Like Us”
  • Travis Scott “FE!N (feat. Playboi Carti)”
  • Central Cee & Lil Baby “BAND4BAND”
  • GloRilla “TGIF”
  • Doechii “DENIAL IS A RIVER”

Hip-hop is the sub genre: 20–60 Hz sits nearly 11 dB above pink, fully mono, and the bass and low mids follow at +6 and +4. The midrange is a couple of dB over pink and the highs taper to 5 dB under, and the stereo image is narrow all the way up.

Hip-Hop average frequency spectrum compared to pink noise, five reference tracks overlaid
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Hip-Hop frequency spectrum vs. other genres

The same pink-noise comparison for two related genres and three very different ones.

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Hip-Hop Mixing Guide: instrument frequency ranges and levels

The kick and sub outlines overlap at 29–100 Hz; in these records they are effectively the same part. A snare is outlined in only one track, at 193–205 Hz.

Hip-Hop PARTS breakdown: sub, kick, snare, support, prominence, air and splash regions across 5 reference tracks
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REFFREY // Hip-Hop Parts Breakdown
PartLevel vs loudestPeak frequency
Foundations
SUB−10 to 0 dB29–100 Hz
KICK0 dB29–100 Hz
SNARE−10 dB193–205 Hz
Mids
SUPPORT−30 to −26 dB293 Hz – 6 kHz
PROMINENCE−15 to −3 dB539 Hz – 3.8 kHz
Highs
AIR−50 to −41 dB6–22 kHz
SPLASH−32 to −25 dB6–22 kHz
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How loud each part peaks compared with the song’s loudest part (0 dB). Not a fader setting. Each range covers all five tracks, every one gain-matched to -14 LUFS, so the balance compares across tracks and across genres.

Hip-Hop parts vs. other genres

Where Hip-Hop’s sub, kick, snare and mid layers sit next to five other genres.

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Hip-Hop Full Reference Stack: Peak, Average, and Stereo Width curves

Average (filled) and peak (dashed) spectra of every reference, with the stereo width strip below. Width is the side-to-mid level per frequency, averaged over the analyzed section: 0 dB means the sides are as loud as the centre, MONO means there is no difference between left and right at all.

Hip-Hop average, peak and stereo width spectra for 5 reference tracks
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Reference tracks and sections analyzed

The 5 Hip-Hop tracks behind this RefMap and the section of each that was analyzed. This is the Hip-Hop set that ships inside REFFREY.

  1. Kendrick LamarNot Like Us
    Kendrick Lamar — Not Like Us: waveform with the analyzed section 0:31–1:07 marked
  2. Travis ScottFE!N (feat. Playboi Carti)
    Travis Scott — FE!N (feat. Playboi Carti): waveform with the analyzed section 0:48–1:29 marked
  3. Central Cee & Lil BabyBAND4BAND
    Central Cee & Lil Baby — BAND4BAND: waveform with the analyzed section 1:52–2:16 marked
  4. GloRillaTGIF
    GloRilla — TGIF: waveform with the analyzed section 1:50–2:36 marked
  5. DoechiiDENIAL IS A RIVER
    Doechii — DENIAL IS A RIVER: waveform with the analyzed section 1:47–2:25 marked

Captured September 2026 from the REFFREY default set “Hip-Hop”. Analysis only — no audio is included.

Mix like the Pros with REFFREY

This Hip-Hop set ships inside REFFREY. Load it, drop your mix on top, and DIFF and PARTS show exactly where yours differs — in real time from your DAW.

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Tested in: Ableton • Reaper • Logic Pro • FL Studio

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